The colour-correction was done in FCP and Colour on Digibeta. I dream about having it done as digital intermediate, but that is a step to far for a film that has not yet been accepted into a film festival.
Luti and John at Portobello Post corrected the colour, but also fixed some of the mess the lab made, with dirt and noise.
They desaturated the colour, so it is quite white with hint of blue, almost colourless. It has the quality of fine paper.
It comes down to this:
Hard to believe that all that work comes down to a couple of reels of S16 footage and 4 Digibeta copies of the finished work.
So I will be posting less about this project and more about the Tidal Barrier project. Still, I will update this blog as I hear about film festivals.
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